Black sand shore under low cloud, surf running up the beach
Photo essay

Nine days inside the fog

A winter walk along the north Atlantic coast, where the weather picks the route and daylight lasts five hours.

Published
14 February 2026
Where
North Atlantic coast
Photographs
11
Reading time
9 minutes

The forecast on the first morning said visibility of forty metres, improving later. It did not improve later. For nine days I walked a coast I could mostly hear rather than see, and I stopped trying to photograph the view.

What I photographed instead was whatever the fog gave back for a minute at a time: a cliff edge, a wet road, a line of spruce that appeared and was gone again before I had the camera up. These are those minutes, in the order they happened.

Day one, late morning. The only twenty minutes the headland showed itself.
Days two and three

The road ends where the water starts

The coast road runs out at a turning circle and a painted sign that nobody has repainted in years. After that there is a sheep track, then a fence stile, then nothing but the sound of the sea somewhere on the left.

I had planned twelve kilometres a day. On the second day I managed seven, most of them spent standing still, waiting for the next gap in the cloud to tell me whether the ground ahead went up or dropped away.

Fog changes what a camera is for. You stop looking for the big view and start noticing edges: where the grass ends, where the rock turns wet, where a tree becomes a shape and then a tree again.

Spruce above the lake, the one evening the cloud sat high enough to see the sun.
The bay from the cliff path, looking straight down.

“By the fourth day I had stopped waiting for the view. The fog was the view.”

From the notebook, day four

Days three to seven, one frame each

Drag the strip or use the arrows. Select a frame to see it large.

Day 3Above the cloud for the first time.
Day 4The gorge below the waterfall.
Day 5The valley opened up for an hour.
Day 6Last light on the ridge.
Day 6The footbridge at Hella.
Day 7Borrowed boat, calm water.
Day eight

A cabin, a stove and nothing to do

Two days of rain kept me in a boathouse cabin at the head of the lake. The owner left a key under a stone and a note asking me to keep the stove going for the pipes.

I read, slept and cleaned lenses. In the evenings the cloud lifted just enough to show the far shore, a dark line with snow above it, and I made one exposure each night from the same spot on the jetty.

Looking at those frames now, they are the quietest in the set, and the ones I return to most.

The boathouse cabin, day nine, the morning the rain stopped.
The last night, and the first clear sky of the trip.

On the ninth night the wind turned north and the sky cleared in about ten minutes. I stood on the jetty until my hands stopped working, and walked out to the road the next morning in full sun, which felt almost rude.

Ingrid Solheim, February 2026
Ingrid Solheim

Ingrid Solheim

Landscape photographer based in Bergen. She works slowly, mostly on foot, and publishes one long essay a year with Fieldlight.

Camera
Fujifilm GFX 50R
Lenses
45mm and 110mm
Distance walked
142 km in nine days
Days lost to weather
Two
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